Nikon panorama maker.ArcSoft Panorama Maker 6 and Its Best Alternatives You Can’t Miss 2020
Nikon panorama maker.ArcSoft Panorama Maker
Join or Sign In.Nikon Panorama Maker and Its Best Alternatives to Create Awesome Panoramas
May 15, · ArcSoft Panorama Maker (). ArcSoft Panorama Maker is an application aimed to transform ordinary photos into nice panoramic images. The same amazing effect is obtained having videos as support. Additionally, you can use this software as a personal photo collection organizer. To get a panoramic effect out of your photos. Jun 10, · Free nikon panorama maker 6 download software at UpdateStar – Panorama Maker is a powerful and easy-to-use photo stitching software that lets you create and share stunning panoramic pictures and virtual reality movies. Manufacturer is: Nikon Corporation, Shinagawa Intercity Tower C, , Konan, Minato-ku, Tokyo , Japan. 7.
Nikon panorama maker.Panorama Photography | How to Take Panoramic Photos | Nikon | Nikon
Jul 31, · A variety of panoramic layouts is supported, including vertical, horizontal, tile, and degrees. The online Help file is brief but useful. ArcSoft Panorama Maker Pro is free to try, but results Subcategory: Digital Photo Tools. ArcSoft Panorama Maker 6 and Its Best Alternatives You Can’t Miss ArcSoft Panorama Maker is bundled with many types of cameras, such as Nikon, Canon and other devices. Some of us might also purchase the retail version of ArcSoft Panorama Maker 6. But the program is no longer maintained or supported any longer and the serial of Panorama Maker 6 is invalid ted Reading Time: 6 mins. The initial choice should be the bundled Nikon Panorama Maker. Usually you can find the bundled Nikon Panorama Maker use ArcSoft Panorama Maker Pro as the default program. The Nikon bundled Panorama Maker allows you to turn the series of overlapping photos and RAW files to gorgeous panoramic photography. The program supports the extensive RAW files of Nikon camera and Estimated Reading Time: 5 mins.
Nikon Panorama Maker Introduction and Its Best Alternatives to Create Panoramas
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When we asked the noted outdoor and nature photographer Rod Planck about his method of shooting panoramas, the first thing he said was, “I like to keep it simple. But it is pretty basic, and the results are very cool. A panoramic image depicts a field of view considerably wider than the one that can be captured in one exposure, and it tells a more complex story and draws the viewer of the image closer to the feeling of what it was like to be there.
To make a panorama, you take several shots that capture overlapping sections of the scene; then you use imaging software to seamlessly stitch that is, join the sections together. For Rod, panoramas represent a different and dramatic way of capturing the grandeur of nature, and they allow him to present that grandeur in large-size prints. It will be significant to you, too, if you’d like to maximize the quality of a framed print for your home—or for the print you’d like to give as a gift.
Gear : First, a tripod with a built-in bubble level. Next, a ball head for that tripod so you can smoothly and accurately turn your camera to capture the sections of the scene that the software will stitch to form the big picture. The essential first step: level the tripod. Then attach and level your camera. If yours doesn’t have that feature, Rod suggests a little accessory called the Double Bubble level, which slides into the camera’s hot shoe. For most panoramas, it’s best to shoot with your camera mounted to the tripod in the vertical position; that way you’ll have plenty of room to crop the top and bottom of your stitched image.
Shooting a panorama horizontally is fine, too, but it can result in very narrow image. Best bet: experiment, then evaluate. Rod shoots aperture priority for almost everything, but not for panoramas because he doesn’t want the camera making automatic settings.
Then I take a sample shot and check the histogram to see if I’m within an acceptable range. You can also use Matrix metering to get your starting point for the test shot. Once you get your setting, use it for every section of the panorama. He recommends setting the camera’s white balance to either daylight or auto. To be safe, and until you know for sure, set the white balance to daylight. The most important thing is to shoot every image section at the same setting.
The lens you choose will influence the amount of overlap of each section. Rod generally uses focal lengths in the 60mm to mm range, but anything from 50mm to mm is fine. Whatever lens you’re using, it should of course be manually focused to infinity; you don’t want the AF system changing the focus point from section to section. That is if you are shooting a wide open landscape or similar subject that is very far away, the depth of field will cover it.
You’ve got to have a composition that works well—just as any photograph, it should be a balanced, pleasing image. When you’re composing the image, remember that a panorama will pull the viewer left to right or right to left; there’s not a lot of vertical movement.
To keep your downloaded images in order, the first section in any panorama should always be the left side of the composition. After I’ve shot the last section, I take a picture of my finger. Here’s the reason for the finger photographs: “When I do panoramas, because of overlapping and subtle changes in light, I’m likely to shoot several of the same scene. When I view those images after downloading them, perhaps as thumbnails in a viewing program, if I don’t have a line of demarcation—a stop and start to each image’s set of frames—things can get confusing very quickly.
The fingers keep the sets straight and allow me to easily separate the sets. How many images in a set? You’ve got to realize how big these panoramas are going to be—big files and big prints, if prints are your eventual aim. A really nice looking panoramic photograph for people starting out is five verticals. The stitching software will do the rest. While each program has its own instructions, in general what they do is find the common pixels and bring the edges together.
When they’ve done that you can crop the tops and bottoms as you choose. Finally, Rod told us about his technique for making panoramas without moving the camera.
One of the PC’s lenses movements is the shift: the lens shifts up and down from its center position to keep the camera’s view parallel and perpendicular to the subject. For panoramas, you can use that shift, but with a twist.
Now you can shift the lens to the left, return it to center, and then shift it to the right for a three-section panorama. The last two accompanying photos were made using this technique. If you’d like to try this, be aware that the camera should be in the horizontal position unless you want the result to be roughly a square format image.
And be sure your test shot is made with the lens in its center position. Whether made by the standard method or the PC variation, we’d guess that panoramas are going to open your eyes to the creative possibilities of the big picture. Read more about the Easy Panorama Mode here. The Panorama Assist mode, on the other hand, guides you in choosing the correct settings and then in framing your separate images.
For more information on creating panorama images, click here. By clicking Sign Up, you are opting to receive educational and promotional emails from Nikon Inc. You can update your preferences or unsubscribe any time. Search Articles. Panoramas Featuring Rod Planck. Glossary Off On. Essentials Gear : First, a tripod with a built-in bubble level. Settings Rod shoots aperture priority for almost everything, but not for panoramas because he doesn’t want the camera making automatic settings.
And here is the final image, after the individual images have been stitched together. The Process “With the camera hand held, I look through the finder and actually rotate my body through the scene to get an idea of what I’ll get,” Rod says.
A Variation Finally, Rod told us about his technique for making panoramas without moving the camera. These modes are simple to use. The Easy Panorama mode is unique in that it allows you to physically pan the camera from left to right, or tilt the camera upwards down, with the camera capturing or degrees of panorama images and seamlessly stitches them together for you. Rod Planck’s website, at www. Featuring Rod Planck. More Like This More articles like this.
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